Why is lee friedlander famous

Lee Friedlander: Self Portrait. Museum of Modern Art , March 15, Lee Friedlander: Family. Fraenkel Gallery , May 02, Nazraeli Pr , February Lee Friedlander At Work. Lee Friedlander: Kitaj.

Fraenkel Gallery , March 15, Lee Friedlander: The Little Screens. Fraenkel Gallery , November 15, Lee Friedlander: The Desert Seen. The Jazz People of New Orleans. Pantheon , October 27, Autoportrait Photo notes French Edition. I love the challenge of being able to put onto paper the ideas and surreal world of my own creation.

My Purpose When I create a photograph image, I want to engage in a dialogue-to make the viewer feel something, even if it's a negative reaction. I appreciate the negative reaction, because I understand I've drawn something out in the viewer: an honest reaction is more potent than an indifferent one. I want to be able to convey an inner conversation-an ambience, a vibe- to create curiosity in the viewer for the lives and moments depicted in my images. My Method I prefer to shoot with black and white 35mm film, because I find it's more honest and direct, at least for me.

I like the mental exercise of having to prepare the picture in your mind first and do the chain of thoughts necessary to translate the idea into the final work. Color can be distracting and disruptive of the real intent and emotion I am trying to achieve. My favorite camera is the Canon EOS 1 RS film camera; it has plenty of functions which allow me to have more control over the final product. I love to prepare a playlist and just go and take a walk with my camera and put myself in the mood: a limbo between voyeurism and participant.

My Path When I started I wanted to be a war photographer, but in my home country of Portugal, it's very difficult to get the connections necessary to achieve that. I was fortunate to get an internship at a daily newspaper in Portugal which led to my work being published in several major newspapers and magazines.

I began to work more in fashion photography and was assigned to the fashion weeks that took place in Europe. During the shows, I found that I always preferred the backstage where I had more freedom to do different things, take more risks.

Photography has been the driving force through all my creative pursuits. My love of music, music photography and music videos comprise a large part of my work. The more artistic side of my work is represented in several countries and in private collections, from Canada, the UK, France, Netherlands, Australia, China, Portugal, and the United States. Currently I am living in Lisbon, but who knows what's next. Animesh Ray. Animesh Ray was born in a small suburban town in West Bengal, India.

He grew up by the banks of the river Hooghly, watching mud skinks slither and river dolphins whoosh. He got into street photography when 14 years old, back in the late s, using a 's Agfa Isolette. While most of his earlier street photos are in black and white, lately he dabbles in color. Animesh loves to travel and take photographs of life as it presents itself. His beliefs are most compatible with those of the humanist ideals.

In his other life, Animesh is a professor and a researcher in genetics and molecular biology in a US university. He has also published short stories and works of poetry, and is working on a novel. Creo ergo existo! I create therefore I exist. Barbara Crane. Crane worked with a variety of materials including Polaroid, gelatin silver, and platinum prints among others. She was known for her experimental and innovative work that challenges the straight photograph by incorporating sequencing, layered negatives, and repeated frames.

Naomi Rosenblum notes that Crane "pioneered the use of repetition to convey the mechanical character of much of contemporary life, even in its recreational aspects. She transferred to New York University in After recommencing her career in photography, Barbara Crane showed a portfolio of her work to Aaron Siskind in and was admitted to the Graduate Program in Photography at the Institute of Design at the Illinois Institute of Technology. This unnerving disconnect between what is seen and what is known would become a central theme of her career.

After this encounter, Adams hired Crane to teach workshops at Yosemite between Sally Mann. Sally Mann was born in Lexington, Virginia in She has always remained close to her roots. She has photographed in the American South since the s, producing series on portraiture, architecture, landscape and still life. She is perhaps best known for her intimate portraits of her family, her young children and her husband, and for her evocative and resonant landscape work in the American South.

Her work has attracted controversy at times, but it has always been influential, and since her the time of her first solo exhibition, at the Corcoran Gallery of Art, Washington D. Sally Mann explored various genres as she was maturing in the s: she produced landscapes and architectural photography, and she blended still life with elements of portraiture.

But she truly found her metier with her second publication, a study of girlhood entitled At Twelve: Portraits of Young Women Between and , she worked on the series, Immediate Family , which focuses on her three children, who were then all aged under ten. While the series touches on ordinary moments in their daily lives—playing, sleeping, eating—it also speaks to larger themes such as death and cultural perceptions of sexuality.

In her most recent series, Proud Flesh, taken over a six year interval, Mann turns the camera onto her husband, Larry. The resultant photographs are candid and frank portraits of a man at his most vulnerable moments. In What Remains Bullfinch Press, , she assembled a five-part study of mortality, one which ranges from pictures of the decomposing body of her beloved greyhound, to the site where an armed fugitive committed suicide on her property in the Shenandoah Valley in Virginia.

She has often experimented with color photography, but she has remained most interested in black and white, especially photography's antique technology. She has long used an 8x10 bellows camera, and has explored platinum and bromoil printing processes.

In the mid s she began using the wet plate collodion process to produce pictures which almost seem like hybrids of photography, painting, and sculpture. Sally Mann lives and works in Lexington, Virginia. A Guggenheim fellow, and a three-times recipient of the National Endowment for the Arts fellowship, Mann was named "America's Best Photographer" by Time magazine in She has been the subject of two documentaries: Blood Ties , which was nominated for an Academy Award, and What Remains which premiered at Sundance and was nominated for an Emmy for Best Documentary in Source: www.

David Katzenstein. New York fine arts photographer David Katzenstein has traveled throughout the world on his lifelong artistic journey as a visual chronicler of humanity. Lee Friedlander Montana Lee Friedlander California Lee Friedlander , Kansas City, Missouri , Lee Friedlander , Los Angeles , Lee Friedlander , Baltimore , Lee Friedlander , Mt.

Rushmore, South Dakota , Lee Friedlander , Monsey, N. Lee Friedlander , Newark, N. Lee Friedlander Kansas City, Missouri Lee Friedlander Los Angeles Lee Friedlander Baltimore Lee Friedlander Mt. Rushmore, South Dakota Lee Friedlander Monsey, N. Lee Friedlander Newark, N. Lee Friedlander , Portland, Maine , Lee Friedlander , Florida , Lee Friedlander , Nashville , Lee Friedlander , Galax, Virginia , Lee Friedlander Portland, Maine Share It looks like I have ideas because I do books that are all on the same subject.

That is just because the pictures have piled up on that subject. Finally I realize that I am really interested in it. The pictures make me realize that I am interested in something. I see a picture and I make it. The material is generous. You go out and the pictures are staring at you. I got him and the car.

I am not interested in any idea I have had, the subject is so demanding and so important. It seems to me if you had the answer why ask the question? The thing is there are so many questions. James Maher.